Equipment

At Round Table Recording Company, we’ve hand-selected only the finest audio recording gear and music studio recording equipment in Indianapolis to deliver an exceptional blend of vintage character and modern precision. Our flagship setup features the Audient Heritage Edition ASP8024 large-format console paired with massive Ocean Way main monitors—two standout components that set our Indianapolis recording studio apart.

We offer a variety of audio recording equipment at our Indianapolis studio including an extensive microphone collection that spans everything from warm vintage tubes to smooth ribbons, ensuring the perfect capture for any source. The 1973 Yamaha C7 Grand Piano—accessible from Studio A’s live room or its own acoustically designed piano suite—adds another layer of sonic excellence.

Every studio is equipped with the latest versions of Pro Tools and Logic, a comprehensive plugin library for mixing and mastering, and an expansive selection of virtual instruments and outboard hardware to support any producer’s creative vision.

Microphones

Microphone at Round Table Recording Company in Indianapolis.

  • AEA R84 (2)

  • AEA R92 “Big Ribbon”

  • AKG C214 (1)

  • AKG C414 XLII (2)

  • Audio Technica ATM61he

  • Audix D2 (3)

  • CM-12

  • EV910 Crystal (1950’s)

  • EV RE 320

  • Lauten FC-387

  • Manley Reference

  • Neumann KM84 Purple Bdg (2)

  • Neumann KM184 (2)

  • Neumann TLM103

  • Neumann U87 Ai

  • Oktava MC012 (2)

  • Perlman TM2

  • Royer R10 (2)

  • Royer 121

  • SE R1 Ribbon

  • Sennheiser 421 (4)

  • Sennheiser 604 (6)

  • Sennheiser 609

  • Sennheiser MKH 416

  • Shure 510 (Hercules 1949)

  • Shure Beta 58A

  • Shure Beta 52A

  • Shure PE85L

  • Shure SM57 (8)

  • Shure SM7B (4)

  • Shure SM81 (2)

  • Sony F98 1960 (2)

  • Turner 33D Dynamic (1950’s)

  • University 401 Omni 1963 (2)

Equipment

Outboard gear at Round Table Recording Company in Indianapolis.

Outboard Gear:

  • Studio A

    • Great River MP-2V

    • Studio Projects VTB1 (2)

    • Vintech 473

    • AEA RPQ (2)

    • API 312 (1970’s)

    • API 550B

    • Kush Audio UBK-1

    • Teletronix LA2A

    • DBX 160A

    • Empirical Labs Distressor

  • Studio B

    • Ampex 601 (1950’s)

    • Audient ASP 880

    • Great River Harrison 32 (2)

    • Rupert Neve 511 (2)

    • Fredenstein Artistic Mic Pre Plus (2)

    • Empirical Labs Distressor

  • Studio C

    • Daking Audio Mic Pre II

    • Empirical Labs Distressor

Monitors:

  • Ocean Way Audio HR 3.5 (in Studio A)

  • JBL 705P Series (in Studio A)

  • Dynaudio LYD48 (in Studio A)

  • Behringer Powerplay Headphone Monitor System (in Studio A)

  • Adam A7X with Sub10 (in Studio B)

  • KRK V6 Series II (in Studio B)

  • Barefoot Audio Frontier 6.5 (in Studio C)

  • EV 20/20 (in Studio C)

Consoles/Control Surfaces:

  • Audient Heritage Edition ASP8024 (in Studio A)

  • Slate Raven MTi2 Core Station Console (in Studio B)

Audio Interfaces:

  • Lynx Aurora 32 Channel (in Studio A)

  • Apollo X8 (in Studio B)

  • UA Volt 876 (in Studio C)

Computers/Software:

  • Apple Mac Studio (3)

  • ProTools 2026

  • Logic Pro 12

  • Hundreds of top industry plugins

Instruments

Guitar player at Round Table Recording Company in Indianapolis.

PIANO/KEYBOARDS:

  • Yamaha C7 Grand Piano

  • Yamaha CP70 Electric Piano

Drumkit for rental:

  • PDP 5-piece Kit (Cymbals not included)

Drum Machines/Turntables:

  • Native Instruments Maschine Studio (2)

  • Native Instruments Maschine MK3

  • Native Instruments Maschine MK1

  • Korg Turntable

Midi Devices:

  • Theory Board

  • Linnstrument

  • MIDI Fighter

  • Arturia Keylab 88

  • Korg R3

  • Komplete Kontrol S49 (Special Edition)

  • M-Audio Axiom Pro 61

CHECK OUT OUR BLOG

Blog
Rent It, Borrow it, or Bring it: Getting Your Instruments Session-Ready
Equipment
Rent It, Borrow it, or Bring it: Getting Your Instruments Session-Ready
Equipment

An unprepared instrument will hurt your recording more than any microphone choice will help it. Here is what we keep in the building, what you should bring, how to get your gear session-ready, and why borrowing a friend's guitar the week of your session is a bad idea.

Read more →
Equipment